Archive for May, 2012


Dodge & Twist: A Sequel To Oliver Twist

By Tony Lee

Published by Amazon

Readily available in paperback and Kindle

RRP £4.99 Kindle


Twelve years after the events of Oliver Twist, a once more penniless Oliver travels back to London in order to try to reclaim his inheritance. After learning is claim is futile he has a chance meeting with a grown up Artful Dodger that leads Oliver into a scheme to steal a fortune and reclaim his place in society.

But as plans unfold, and friends and foes from his past begin to gather, Oliver begins to wonder if his meeting with Dodger was by chance. The deeper he becomes involved in Dodger’s plans the more he is immersed into a world he had hoped he’d escaped a decade earlier. Betrayal, deception and danger mount as Oliver begins to realize Dodger may not be the friend he makes out to be, and instead of aiding Oliver in his quest for his fortune, is in fact plotting with Fagin’s ghost for vengeance.

A maze of lies and half truths lay in wait as Oliver re-visits his birth place, Fagin’s Saffron Hill den, Sowerberry’s Undertakers and has to face his personal demons in the shape of Mister Bumble, Noah Claypole and his own guilt over Nancy’s death.

My only knowledge of Oliver Twist stems from the musical staring Ron Moody as Fagin, I’ve never read it and being honest, have never felt the inclination to read it. Due to a twitter post I did however come across mention of this book by Tony Lee, and will say I was intrigued. After reading this I will say I was surprised by what a dark piece this sequel paints the original to be, I was also compelled to get a copy of Oliver Twist downloaded to my Kindle, but more of that another time, onto the sequel.

The world Lee paints is very vivid; he has obviously gone to a lot of trouble to research the subject matter – evident by the lengthy acknowledgements section – to make sure the feel of the story sits well with the time. Victorian London is a dark and foreboding place, as much a character in the story as the human ones. The dirty streets, the people crammed in living on top of each other all go to make an interesting brew that makes the scenery come alive around the characters.

As for the two main characters, Oliver is very much the Oliver I remember from the musical. Now I can imagine that this take on the character may be nothing like what Charles Dickens intended, but here Tony Lee writes him as a wide eyed enthusiast, willing to give the benefit of the doubt. But he is also very much a victim. A victim of the time he lives in, and of those around him who being more wise to the ways of the world, take advantage of his good nature. Jack Hawkins – or as he is known on the streets, the Artful Dodger – is on the surface a nasty piece of work, through manipulation of events and people he steers Oliver into his seedy world for his own ends. Bit part players from the original like Noah Claypole and Charlotte have a part to play, both in Dodger’s plans and in Oliver finding some sort of closure for the early years of his life. And there is some chance for Oliver to put the ghost of Nancy to rest in the form of her young sister.

The plot is ingenious and complex, but in some ways can come across as a bit daft. An end game that has been in the planning stages for years all hinging on the correct people, being in the correct place, at the correct time. And we are asked to believe Dodger managed this having been away from the country for the better part of a decade. But if you put aside any forms of logic, and read the story as a ripping adventure yarn it works totally and is fully enjoyable.

The colourful characters move the plot along at a swift pace, it twists and turns as much as the dark alleys it is set in so the reader is left wondering what will happen next.

Short Story Acceptance

Had an email today from Pill Hill Press telling me they had accepted my short story Jack for the third in their monster hunter series called Use Enough Gun: Legend’s Of The Monster Hunter III.

This is my second story for them, my first is Groundhog Day which appeared in the previous anthology called The Trigger Reflex.

Very chuffed about this, this makes my third short story in print – the third is Death Rides A Pale Horse due to appear in the  Dead Rush anthology being put out by Wicked East Press.

As soon as I get publication dates for both these anthologies I’ll put them up.

 

News broke overnight (UK) that Fox have cancelled fledgling series Alcatraz after one season. The JJ Abrams written show, about the titular island prison and inmates who vanished in the 1960s suddenly re-appearing in the present, had fan backing but didn’t generate the numbers – or excitement – the execs wanted.

This isn’t the first show to be cancelled before it had a chance to get going, and it won’t be the last, but the event did get me thinking about what it now takes to get a series made and keep it on air.

JJ Abrams got a lot of flak for his last big TV series LOST, fans and commentators said the central mysteries went on too long unanswered and when they finally were, the answer wasn’t quite as earth-shattering as it was led to be believed. There are shows out there that seem to have the staying power, Smallville managed ten years before fans got the final – if fleeting – payoff of the iconic shirt-ripping-big S- on-the-chest reveal. Supernatural has just been renewed for its 8th season, Dexter is in its 6th year, Fringe its 4th (although it is already known the 5th season will be the last). So why is it some shows seem to last and others don’t?

I think a lot of it is down the society we now live in. People today are used to instant access, instant results, instant answers. We live our lives in social media where questions and conversations exist within 140 characters. When presented with shows where we are expected to wait years before we get the answer to the big mystery baulks us and we tend to give it a miss. The long running shows I mention above have managed, in varying degrees, to side-step this problem by keeping the series spanning story arc going, but having mini-stories interspersed throughout. They’ve not expected the viewer to give up years of their lives to find out why this happened or why “X” said that.

I like shows that follow a plan, have a story to tell. I suppose I can happily sit and watch a show for 10 years, because I’m from the generation when social media and instant payoffs didn’t exist. For shows to survive beyond their first season – and some sadly barely even managed that – I feel they need to embrace the culture that dominates the world we live in. They need to be a little more forthcoming, give out a little more than they are, trust the viewer to stick around even if we do know some of the answers.

 

Game Of Thrones – The Complete Season One

Showrunners – David Benioff & DB Weiss

Staring – Sean Bean, Mark Addy, Lena Headey, Michelle Fairley, Nikolaj Coster-Waldau, Peter Dinklage, Emilia Clarke, Harry Lloyd, Jason Momoa, Aiden Gillen, Maisie Williams, Sophie Turner, Richard Madden, Isaac Hempstead-Wright, Kit Harrington, Jack Gleeson, Rory McCann and many many more…

Summers span decades, winters can last a lifetime, the great houses of Westeros like nothing better than playing their games. And the biggest game of the all has begun, the battle for the Iron Throne itself. From the south where the heat breeds plots and can cook a man alive, to the far north where a 800 foot wall protects the Seven Kingdoms from the dark that lies beyond.

 Kings, Queens, Knights and Lords, liars, renegades and honest men, all have a  part to play in the game of thrones.

I’d read the books by the time the first episode of season one of Game Of Thrones aired. It’s an ambitious undertaking, turning a series of – so far – five books into a series for TV. It would be ambitious turning what many view as the modern generations Lord Of The Rings into a film series, but TV, and only ten episodes per season?

Whatever David Benioff and DB Weiss are taking I hope they never run out. They’ve managed to condense an epic book into a ten, sixty minute episodes, and not only have they managed it but they managed to do it so it appeals to fans and newcomers alike.

With a main cast that would swamp most films, brilliantly backed up by a supporting cast that seemed at some stages to employ every notable character actor in England, the series unfolds excellently, introducing the viewer to Westeros and its people without missing a beat.

Wit a cast this size it could be easy to overdo things meaning the actors become swamped and disappear into the scenery. But they don’t, everyone has their moment to shine. Characters jump full blown and expertly visualised from the page.

Joffrey Baratheon (Jack Gleeson) is suitably slimy, Sandor Clegane (Rory McCann) is the Hound, King Robert Baratheon (Mark Addy) is larger than life and twice as loud, Lord Eddard Stark (Sean Bean) is as cold as the North and loyal to the end.

Added to these there was standout performances from Maisie Williams as feisty Arya Stark and Peter Dinklage as the Imp, Tyrion Lannister.

As a fantasy series it delivers, there are mysteries, legends and dragons. As a serious piece of drama it excels on multiple levels, drawing in people who would not normally go anywhere near anything with fantasy in the description.

Season 1 was the best drama on TV in 2011, adapting the first book to perfection.

 

Adventures In Writing

Seems like ages since I did any sort of update on the various projects I have boiling, simmering and just gathering ingredients for. So please excuse the lack of information on my part.

So, did I tell you I’d had another short story accepted? No? Well I have, its called Death Rides A Pale Horse and is in the forthcoming anthology called Dead Rush being put out by Wicked East Press. Its a collection of stories with the theme of the Old West. I’ve had the galley proofs so am guessing publication should be pretty soon.

There are still two months to go until the deadline for the Fantasy Writing Contest being run by Fantasy Faction. I got my submission called You Can’t Avoid A Little Blood submitted soon after subs opened, I also opted for the Entry Plus service where I’ll get a detailed critique from one of the judges. Not sure if I get this if accepted or not? Doubtful I’ll hear anything from this until after the closing date, there was a post on their forum saying Entry Plus subs wouldn’t be going out till then so that people couldn’t revise their entry and get it back in.

I’m waiting on an email from Pill Hill Press for my submission to the last in the Monster Hunter trilogy anthology they are putting together. According to their forum they have read all stories submitted so far and acceptance/rejection emails are going out as we speak. One person has posted saying they’ve had their’s so its a waiting game now.

I submitted a short script – about 7 minutes – for the second season of Twisted Showcase. The first season is up on line with a great selection of weird, creepy and scary stories. Not sure when I’ll get any news on that but from Twitter I know they’ve filmed the first episode already and are still considering other submitted stories.

I’ve only just (yesterday) submitted a short story to 2000AD for a Judge Dredd competition. Only 2,000 words, short and sharp with blood and guts. Deadline is May 23rd so nit sure when will hear anything.

I’ve finished the polish on the stories I’ve collected together that I aim to self publish on Kindle. I’ve settled on three stories that cover horror and steampunk. I’m sending them out to a couple of readers next week and am at present working on a cover design.

That’s it, all up to date now. I’m now project free for the first time in ages, but I have begun research and note making for a planned novel set in the same universe as one of the stories in my anthology. Its early stages at present so doubt I’ll even have the first draft ready until later in the year.

 

Subterranean Press are releasing a limited edition of Joe Abercrombie’s first standalone novel Best Served Cold
http://www.subterraneanpress.com/Merchant2/merchant.mv?Screen=PROD&Product_Code=abercrombie04&Category_Code=B&Product_Count=1
 - and yesterday the cover art was released.

Surely a thing of beauty, featuring the central figure of Monza Murcatto – The Snake of Talins.

Springtime in Styria. And that means war.

There have been nineteen years of blood. The ruthless Grand Duke Orso is locked in a vicious struggle with the squabbling League of Eight, and between them they have bled the land white. While armies march, heads roll, and cities burn, behind the scenes bankers, priests and older, darker powers play a deadly game to choose who will be king.

War may be hell, but for Monza Murcatto, the Snake of Talins, the most feared and famous mercenary in Duke Orso’s employ, it’s a damn good way of making money too. Her victories have made her popular —a shade too popular for her employer’s taste. Betrayed, thrown down a mountain and left for dead, Murcatto’s reward is a broken body and a burning hunger for vengeance. Whatever the cost, seven men must die.

Her allies include Styria’s least reliable drunkard, Styria’s most treacherous poisoner, a mass-murderer obsessed with numbers and a barbarian who just wants to do the right thing. Her enemies number the better half of the nation. And that’s all before the most dangerous man in the world is dispatched to hunt her down and finish the job Duke Orso started…

Springtime in Styria. And that means revenge.

Subterranean Press plan to release the book in the Autumn.

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