As a follow-up to my post this morning, now I have confirmation my book is live on Kindle and here’s the link.
Please have a look and leave a review.
As a follow-up to my post this morning, now I have confirmation my book is live on Kindle and here’s the link.
Please have a look and leave a review.
The day has finally arrived, after a couple of false starts due to moving house, then having no internet for nearly a month, finally I’ve hit the PUBLISH button on Kindle Direct Publishing. My novella Brave New World which is the first part of the Life In The Fastlane series should be available later today (UK) and tomorrow (rest of the world).
Brave New World is set in the late 1940s and is an alternate history tale centered around the declining British Empire, a fractured United States locked in a decades old war between east and west, and the efforts of Professor Horatio Sykes to improve on his fathers invention in the hope of shortening the distance between countries and so bring them closer together.
Sykes is a dreamer, and idealist, and unfortunately for him whilst he dreams of a world where his fathers improved invention heals the wounds between nations, there are others who see his upgrades as just another tool to be used to impose their will on others.
Priced at £1.99 this novella is short and fast paced taking you from one side of the Atlantic to the other as the action alternates between the characters.
Hoping to have some reviews soon, but please take a look and if you feel the inspiration to write a few words about it then please do.
The end of April races ever closer and the final edit of my novella Life In The Fastlane: Brave New World is nearing its end. Initially tallying in at just over 16,500 ish words this final edit – due in part to Beta guidance from The Life Of Spike author Jodie Portugal jvoportugal.wordpress.com – has already gained just over 2,000 extra and I still have halfway to go.
As well as the final edit I’ve also been preparing for actual P-Day, and part of that preparation – along with all the work in the Kindle direct publishing back room (so to speak) – has been the cover. Now I’ve always had an idea or two of how I wanted the cover to look, what I wanted it to say about the story. But the problem is I’m no artist. So after putting a shout out on Twitter for guidance I was given the contact details of Susan Omand - www.omandoriginal.com – and contacted her about doing a proper job of my ideas.
Susan is very professional, she listened to what I wanted and set to work giving me a first draft with a week of initial contact.
I liked this from the off, I like that she has used the same sort of font used during the Next Generation years of Star Trek for the main series title and my name – something she did with no input from me. My idea for the cover was to show the two main forms of technology featured in the story, I also wanted to depict a scene that I enjoyed writing and introduces the ship on the cover. But after seeing the first draft I realized my idea to have both forms of technology present on the cover didn’t really work, the effect in the top right above the title drew my eyes away from the main image. An image I felt needed total attention. So I asked Susan for some changes.
I feel this second draft better captures the image I want, along with removing the effect above the title I also corrected an error in the ships designation, moved it more to the front. I feel these changes made the image I wanted on the cover clearer, more defined. This is not a war story but a story set during a war, that’s what I feel the cover tells any prospective reader. So with what I wanted locked in Susan did the tweaks needed to clean the image up and re-size for the Kindle.
So there we have it, the cover to my book and a damned fine cover if I say so. Susan has done a sterling job in doing this and if anyone ever wants someone to do a book, CD cover or any sort of artwork I recommend you contact her.
Author: Adam Christopher
Publisher: Angry Robot
Published: Out Now
Ted is worried, he’s been sleep walking and each episode seems to coincide with the murders carried out by the Hang Wire killer.
Meanwhile the circus is in town, but the Celtic dance troop seem to be taking their act a little too seriously, the manager of the Olde World Funfair has started talking to his rides and the new acrobats frequent absences are causing tensions with the rest of the performers.
Elsewhere in the city there are other new arrivals, immortals searching for an ancient power, a primeval evil which, if unopposed, could destroy the world.
Hang Wire is Adam Christopher’s fourth book and it is his best so far. That’s not saying the three that went before – Empire State, Seven Wonders and The Age Atomic – were not good, they were very good in fact, what I am saying is over the course of the previous books I have seen Adam’s style and mastery of his craft grow and expand. The result is Hang Wire, a pitch perfect story set in the world of nameless monsters and forgotten gods running rampant on the streets of San Francisco. Adam seems determined not to tie himself down with one genre, so far we’ve had a noire-gumshoe tale set in an alternative Manhattan, we’ve had a superhero team fighting the last great super-villain and we’ve returned to the alternative world of the Empire State with a tale or impending Armageddon and nuclear powered robots. Now he’s turned his unique and fresh style of writing towards mythology, but not your usual run of the mill mythos – there are no Thor’s or Zeus’ here – for this tale he’s mined the rich folklore of Hawaii, Korea and China. It’s a credit to his style that he can switch between genres so easily, whilst they all do sit firmly within the Urban Fantasy section, they each warrant their own section within.
This book also differs from his previous ones. They were all tightly focused tales centred on a few characters set within one or two locations. Hang Wire is on a more grander scale, it is not only set in the present day but it also builds a back-story through a series of flashbacks ranging from Oklahoma 1889, to the 1906 San Francisco quake, and on through the decades with interludes spread across the United States. It also has a larger cast, including Kanaloa Hawaiian god of life and death, Nezha the Chinese trickster god and Tangun the legendary founder god of Korea it also has their alter egos, and those alter egos have friends, loved ones. There is Jack Newhaven – the brilliantly named Magical Zanaar – ringmaster for The Magical Zanaar’s travelling Caravan of Arts and Sciences, his carnival manager Joel Duvall, the mystery man known only as Hirewire, Malcolm the leader of the Stonefire Celtic dance troop, Ted, Alison, Benny, Zane and everyone else that gets caught up in the events surrounding the killings carried out by the serial killer known as Hang Wire. All these elements – the characters, the locations, the back-story going back over a century – come together in a gripping tale that whips along at a frantic pace.
Adam has always put out tightly written stories, there is no fluff, no side bars that take the reader away from the action. I like this style, it drags you in and locks you down for the duration. To say a book is un put downable is a cliché that is liberally bandied about, but here is a book that is definitely that. Adam also uses his near-trademark chapter ending cliff-hanger so the reader can’t just leave it until tomorrow to carry on, you have to read just one more chapter to find out what happens. And then he goes and does it again at the end of that one. In a way his writing is episodic, his work could very easily be translated to TV – if that is intentional I do not know, but it is a style that makes for very easy reading.
I’d like to say that Adam has hit his peak with Hang Wire, the style, the dialogue, the characters and the story all flow and wind their way into your head like a worm until it takes you over, the result is you’ll find you’ve lost blocks of time and have a pile of undone jobs but a satisfied feeling that you’ve read a dammed good story.
After a lot of faffing, re-reads, re-writes, abandoning, resurrecting and general wasting time dicking around on the internet, I’ve finally picked a date to publish my novella. It’s been an ongoing project for some time – in one form or another about 2 and a bit years – but I’m biting the proverbial bullet and going for it. Had the final beta readers feedback and am now editing based on their suggestions. Once that’s done its one more read through and I’m good to go.
I’ve also gone with a professional designer to do the cover – the wonderful Susan Omand over at Omand Original http://www.omandoriginal.com/ – who is working on the design based on my very rough sketched idea. I’ve gone for a retro looking cover a bit like the old 1950s movie posters, and chosen a couple of scenes from the story to highlight the technology present in the world I’ve created.
Once I have the finished cover I’ll do a post about the process and include my rough attempt and the proper version that will be uploaded to Kindle when done. I’ve already been on Amazon and created my account and put most of the details in I need to, all that remains is the novella.
At present it stands at just shy of 17,000 words, but I have the feeling it could be gaining some with this final beta readers input. I already have the 2nd draft of the second novella done – and is already longer than the first – I’ll be looking to get that out to beta readers once part one is published.
I’ll be doing updates from now to P-Day, and there will be some serious pimping as well.
Oh yeah, what’s it called? Ha, ha, see not as organised as I thought. The overall series title is Life in the Fastlane and part one is called Brave New World.
Author - Richard Ford
Publisher - Headline
I suppose there comes a time if you review books – and find yourself on a publisher’s mailing list – when you will get sent a book that is either part of a series, or the middle book of a trilogy. The Shattered Crown is such a book. It is the second in the Steelhaven trilogy, and being the second book must act as the bridge between what went before and what comes next. It could be seen as a hindrance to have not read the first book, to find yourself thrust into a story already a third done with characters established and the plot well underway. But it is the sign of a good author if he or she can write a book so that someone in my position can read it and not be totally lost. Richard Ford is such an author.
Steelhaven is the primary city and administrative centre in the Free States – kind of like Brussels – and so a jewel that must be taken if anyone is looking to take those states for their own. The Elharim warlord Amon Tugha has united the fractured Khurta tribes into a formidable army and is crushing all before them en-route to Steelhaven. But the city has other problems apart from the approaching army, the king is dead and his young daughter Queen Janessa wears the steel crown. Also the city if rife with plots, the Father of Killers assassin is at large and the Guild seems to be operating to the benefit of the approaching army. Janessa is surrounded by advisors of dubious character who seem to have ideas of their own as to how the defence of the city should be organised.
There must be about a dozen sub plots crammed into this book, all of them rattle along at a great pace. The host of characters rivals a book with the initials GRRM attached to it, but they are not there to make up numbers. Merrick Ryder & Kaira struggle to acclimatise to their new roles and responsibilities, Waylain wonders what other ills will befall him on his path to knowledge, the killers Forest and River, the Ying and Yang in the Father of Killer arsenal, the Zatani troop led by Regulus hoping to find redemption glory and honour on the battlefields of the north and finally the brilliantly named Nobul Jacks who’s dark past threatens to consume him and that he finds he has to embrace to survive. All of them have a story to tell, a small part of the same story of a city preparing for war, but together those stories come together and merge until all the characters are in place ready to face the coming storm.
The book is mainly set within the walls of Steelhaven but through the various characters POV you get glimpses of the greater world beyond, the battles that the defending armies face, and the darker deeds that are done to aid the Khurta horde. You don’t actually get to see any of this external action, most of this book is set up with Ford moving his pieces in preparation for the third book – making this book a ship-in-a-bottle instalment – but that doesn’t mean this book doesn’t have any action. The city is not a safe place and factions vie for supremacy seeing an opportunity and thinking the Queen is soft and an easy target. But unlikely heroes come to the fore and blood is spilt – in inventive ways as well.
I have known of Richard Ford for some years, we both frequent the same forums and follow eachother of Twitter. But this is the first of his books I’ve ever read and boy have I been missing out. The plot is packed but not convoluted, the characters colourful and at times brutal, and the prose flows so fast you find hours slipping away as you immerse yourself in the tide. If you like your fantasy full of guts and glory and with a clever plot then this is for you.
Beauty is the retelling of the Sleeping Beauty fairytale, all the elements are here, the impenetrable forest, the cursed princess, the handsome prince. This final story in Sarah Pinborough’s trilogy of fairy tale retellings closes the circle started in Poison, but whilst being the last book released, chronologically it is the first story in the sequence. I’d long suspected – after events and comments made by two characters in Poison – that this trilogy would follow along the same non-linear lines as the film Sin City. This disjointed way of telling the story has built over the previous two books making this first story a brilliant ending.
From the title it’s easy to assume what this book is all about. Already we’ve had Snow White in Poison and Cinderella in Charm, so going into this I was expecting the trademark slantways take that Sarah has given us many time before, but this time focused on the Sleeping Beauty story. Whilst this is mainly what we get – in a roundabout way – we also get a lot more. I did think everything and the kitchen sink once I’d finished, counting at least three separate fairy tales blended into the mix, and possible nod’s to more. It’s a nice piece of plotting pulling all these threads into one story and not making it looked crowded. But as well as telling this story Sarah had to also tie off loose ends carried over from the previous two. I’ve read some full novels where too many threads have made the story bloated and incoherent, but Sarah has managed this with some sparkling prose and a cracking pace.
Sometimes novellas can be a little like a Chinese takeaway, a quick meal and soon after you are feeling hungry again. But here Sarah has managed to make a novella that feels like a full novel, you get given a full blown world full of character’s all of which are fully formed and three dimensional, and whilst they may feel familiar, they all have uniqueness to them that sets them apart from what may be the accepted image of the characters. Here you also get very much the view that the separate kingdoms already visited in the previous two books are very tightly linked together. Whilst the cast comes from different parts, they have a common past, one that brings them together whether they wanted to or not.
As with the previous two stories this is very much a Sarah Pinborough book, full of devious twists on character traits and healthy dollops of sexual tension. Whilst not as blazingly sexy as the previous two – though there is a pretty wild party – this time there is more underlying tension, a hint that at any moment bodices will be ripped and breaches dropped to the floor. As a standalone this would work on many levels, added to the whole it makes a perfect episode in the overall story arc.
According to my account on Goodreads I’ve read 32 books this year, well 33 as I’ve just finished one that is not currently listed on the site. So that’s 2.75 books a month, and I wonder sometimes what I spend all my time doing!
So this year, for the first time, I decided to look through what I had read and list my top 10. I’m not usually a fan of best of lists purely because tastes change on a regular basis. What might be the best today may not be tomorrow simply because something better comes along. But seeing as 2013 is in its last few hours, and the books I have read during the last 12 months will not be repeated, I thought it was fairly safe to put a list together, because even if something better does come along tomorrow, it’ll be 2014 by then.
I should point out this is a list of books I have read in 2013, not a list of books published in 2013.
So to kick things off…
No. 10: Ace Of Skulls by Chris Wooding – whilst I was not totally blow away by this final instalment in the Tales Of The Ketty Jay series it gets a placing simply because it is the final instalment. The series as a whole has been brilliant, with a mix of fantasy, horror and steampunk it was something different and entertaining. The mixed crew of misfits were instantly likeable and grew on you with each book. Was it original, maybe not. A lot of people likened it to Firefly, but having never seen the show I had no comparison to make.
No. 9: The Blue Blazes by Chuck Wendig – a mix of organised crime, fantasy and horror, this is the story of Mookie Pearl. Pearl is a hard man, an enforcer, a killer. He is also privy to the knowledge of the dark forbidden underbelly of the city where monsters lurk and death is ready for the unwilling. Along with Wendig’s trademark no-holds-barred style of story telling this is a great tale full of wit, blood and kick-ass action.
No. 8: Exit Kingdom by Alden Bell – the sequel/prequel to the excellent The Angels Are The Reapers. Set in a post apocalyptic world where humanity has fallen to the zombie hordes. But unlike your run-of-the-mill zombie tale here the walking dead are mere bit part players. Carrying on the tale of Moses Todd this story flashes back to his days on the road with his psychotic brother Abraham, as he tries to find some form of peace in a broken world. Along the way they encounter a gifted woman who may very well be the cure everyone has dreamt of.
No. 7: Ack-Ack Macaque by Gareth L Powell – Ack-Ack Macaque is a cigar chomping, whisky swilling one-eyed spitfire pilot, he is also a Monkey. Fighting the hordes of ninja-Nazi paratroopers is what he does, but he is beginning to think everything is not as real as he thinks. This is a unique tale of a sentient ape and his part in the saving of a prince and battle against the coming apocalypse. There is a twist, and its a very inventive twist that allows Ack-Ack to bridge the gap between the 1940s war and the 21st century workd where most of the story is set. Look out for the sequel Hive Monkey due out soon.
No. 6: Age Atomic by Adam Christopher – this is the follow-up to the brilliant Empire State and carries on the story of the Pocket universe that is the mirror of Manhattan. This time round the Empire State is in danger of being destroyed as earth tremors and a freezing winter threaten to tear the fabric of the Pocket apart. On top of that someone is building an army of nuclear powered robots and plan to invade New York.
No. 5: The Pagan Lord by Bernard Cornwell – this is the latest in the Saxon Stories and continues the tale of Uhtred. King Alfred is dead, Edward now sits on the throne and his advisor’s and the church have distanced him from his fathers greatest warlord, the pagan Uhtred. After an ill advised trip to punish a wayward son, Uhtred finds himself banished from Wessex, penniless and with only a few faithful warriors still at his side he heads north to finally retake his ancestral home. But the long peace between Wessex and the Danes is about to come to a crashing end, and when the Danes strike, and blood is spilt, Wessex as always will only have one man to turn to to save them.
No. 4: The Split Worlds Trilogy (Between Two Thorns/Any Other Name/All Is Fair) by Emma Newman – the Nether is home to the Fae-touched and is a mirror to Mundanus (Earth). There is a treaty in place that forbids the Fae and their puppets from interfering in the lives of the Mundanes, a treaty enforced by the Sorcerers and their Arbitors. But someone has corrupted one of the Chapters and Mundanes are being snatched from the streets of London. This trilogy is a debut fantasy series and if you didn’t know that you’d be hard pressed to notice. Emma’s writing is pitch perfect, her characters vibrant and three dimensional. The story is one of adventure, conspiracy and rebellion. But in amongst this there is also dark subjects including murder, marital rape and slavery.
No. 3: The Copper Promise: Let Sleeping Gods Lie by Jen Williams – I reviewed this in the previous post to this, so most everything I have to say can be read there. But I will say this is a debut fantasy novel that breathes life into the pulp style of story telling that I grew up reading. brilliantly paced, great characters and a plot that carries you through a breathtakingly imagined fantasy world.
No. 2: The Broken Empire Trilogy (Prince Of Thorns/King Of Thorns/Emperor Of Thorns) by Mark Lawrence – another debut fantasy trilogy, and another breath of fresh aired breathed into a genre stuffed full of grim and dark. Jorg of Ancarth has to be one of the darkest characters I’ve come across in a while. Haunted by a childhood tragedy that saw his brother and mother brutally slain, and treated with scorn by an unloving father Jorg does what many boys have done before and runs away. But in running away he joins a troop of road brothers and embarks on a killing spree that would be seen as bloody by any counts, but is made more so because Jorg is barely into his teens at the time. Through the course of the three books Jorg cuts his way from road brother, to King to the Empire Throne, the body count is countless, no-one is safe, including those who ride with him. Does Jorg have redeeming qualities, yes, he is not a mindless killing machine, he does what he does for a reason. But those reasons are not always as clear as you might think.
No. 1: Sarah Pinborough’s Modern Fairy Tales (Poison/Charm/Beauty) by Sarah Pinborough – the title I made up, not sure this series of three novellas actually has an overall title? But still, Sarah’s re-imaging/retelling/modern interpretation (call them what you will) of classic fairy tales are brilliant and by far the best thing I’ve read this year. These are fairy tales for grown-ups, Snow White, Cinderella and Sleeping Beauty all come under the spotlight and are given the Pinborough treatment. These are not suitable reading for children, some adults of a sensible nature may want to steer clear as well. Sarah has taken the core of each story and given it a twist, added ingredients and also brought in elements from other fairy stories to make original stories that intrigued and delight.
Bubbling under and worthy a mention…
Mayhem by Sarah Pinborough – a fresh new take on the Jack the Ripper legend that isn’t about Jack the Ripper.
NOS4R2 by Joe Hill – twisted serial killer Charlie Manx kidnaps children and takes them off to Christmasland where he feeds off their fun.
The Shinning Girls by Lauren Beukes – another serial killer but this time one that can time travel between the 1920s and 1990s killing girls that show some spark of greatness.
Space Danger by Doug Strider – a series of self published novellas set about a starship captained by Kurt Dangler. To sum this up its a mix of Monty Python, Douglas Adams and Ripping Yarns, in space.
There are some far-fetched rumours about the caverns beneath the Citadel. Some say the Mages left their most dangerous secrets buried there, some say the gods themselves have been imprisoned there. For Lord Frith the caverns hold the key to his vengeance, against all odds he has survived torture and the death of his family, and now someone has to pay. For Wydrin and Sebastian the quest into the Citadel is just another job, the promise of gold and adventure and the possibility of getting a good tale or two that will stand them drinks everywhere they go.
But sometimes there is truth in rumours. Sometimes it pays to listen, pays not to be a reckless adventurer. But Wydrin was never a good listener and soon this trio of adventurers will find themselves the last line of defence against a hungry, ruthless terror that wants to tear the world apart.
But worse than that, they’re not even getting paid.
This is a first for me, reviewing a book that is not even out yet. First a disclaimer, I’ve known Jen Williams via Twitter for a couple of years, I’ve followed her journey throughout the process that started with the novella The Copper Promise: Ghosts of the Citadel and culminated in the publication of this, her first novel.
There is a saying, “books are like the TARDIS, bigger on the inside”. Whilst this is true they are also like the Doctors ship in another way, they are capable of sending the reader back in time. I grew up in the 1970s reading about the adventures of Conan of Cimmeria, whilst my reading tastes may have moved on since, there has always been a special place in my heart for the style of writing Robert E Howard made all his own, his styling’s were my first taste of fantasy. In a way I can see something of Conan in the main character of this book, Wydrin, the Copper Cat of Crosshaven. They are both carefree in their attitudes to personal danger, both have a healthy interest in loot, both know how to use a blade. Wydrin may not be a tall brooding barbarian, but put her toe to toe with one and it would be a hard fight to call.
I not saying Wydrin is a carbon copy, Jen has created a strong and vibrant character, a character that has her own unique personality. Wydrin is the source of much of the humour throughout the story, she is a bottomless well of one-liners, put downs and endless enthusiastic mirth. But she also has an edge, as a daughter of Crosshaven she has piracy in her blood, and has no qualms about killing to defend herself. Wydrin is not your typical heroine, her interests lie firmly in creating havoc and getting blinding drunk.
Alongside Wydrin Jen has assembled a strong supporting cast. The steadfast Sebastian, a fallen Knight of Ynnsmouth, tall and strong, a stubborn mule of a man with principles that are at odds with the life he now leads. Sebastian is a conflicting character, a man who lives by a strict moral code whilst aiding an adventurer and thief. But despite being poles apart the bond between Sebastian and Wydrin is strong. Then there is Lord Aaron Frith, heir to the Blackwood throne who employs Wydrin and Sebastian to lead him into the Citadel of Creos in search of the ancient secrets said to be buried there. Frith initially is not someone you feel you can get close to. He’s a broken man, his family and home brutally taken from him, his life focused on vengeance and his pursuit of power he feels is his. But Frith – of all the characters – has the biggest character curve throughout the book, as piece by piece his shell is cracked away to reveal the man beneath.
The plot is a simple one. A theft leads to a hunt leads to a big battle. But it’s how these pieces are put together and moulded that makes this book such a thrill. At its core it is an adventure story, much like the early Conan stories. Within the pages of this book we get to see the world Jen has created through the eyes of her three characters. It is a big, breathtaking world full of wonders and horrors. It is a world that I hope is explored in greater detail in future books (this is the first in a trilogy). Along the way Jen also manages to expand on her characters, fleshes them out so rather than ciphers going through the motions, each and everyone of them has a purpose and a reason for being there. Amazingly as well she manages to incorporate a chase sequence, in a fantasy novel, a chase sequence unlike anything I’ve ever come across before.
As a fantasy novel this stands its own against any other book I’d care to put alongside it. As a debut fantasy novel it is a gem and breath of fresh air. Whilst the norm for fantasy now is grim, gritty and bloody – not a form of fantasy I’m knocking, I’m a massive GRRM, Abercrombie et al fan – this turns around and shines a light on how fantasy used to be written. It’s very retro in its prose and styling, a rollicking boys-own adventure with a feisty female lead who you definitely would not want to take home to meet your mother.
On my blog you will find my review for the original novella that grew into this novel, at the end of it I said that Jen Williams was a worthy successor to the pulp giants of the 1920s and 30s. I’d like to amend that comment and say that Jen Williams IS a worthy successor. With her fresh old/new style of fantasy storytelling she has hit on a winner, and I hope in some way will herald back into fashion this pulpy style that I so loved reading as a young teenager.
The Copper Promise is due for release February 14th 2014, but the first part – Ghosts of the Citadel – is currently available as an ebook. Jen can be found on Twitter @sennydreadful and on her blog http://sennydreadful.co.uk/
Not sure how I’ve let this slip past without posting about it here, I mean the title of this blog is Philip Norris: Writer. So anyhoo, without further ado, I’m pleased to announce, after much…..oh bloody hell here this explains it all.
Yep, there you go, it’s big, it’s bold, it has a very 1980ish computer graphic thingy going on, but who cares I only wnet and won NaNoWriMo (snoopy dance). OK, I know I’m not the only one, thousands (possibly tens of thousands?) of other authors won or hit the target they were aiming for. But for me its a personal thing, I had to prove to myself I still had it in me.
Before we go any further we all know what NaNoWriMo is right? November, 30 days, 50,ooo word target, National Novel Writing Month…OK, we all there?
Back in 2009 (the last time I entered NaNoWrMo) I also won, I wrote something that was a little weird, a little alternative and it was a mess. Several times since then I’ve gone back, tried to make sense of what I’d done, wondered what the hell I was thinking, and then promptly closed the file, checked no-one had seen me open it and walked of whistling like nothing had happened. Since then I’ve made several failed attempts at writing another novel, most seemed to lose legs around the 30,000+ mark leaving me thinking perhaps 2009 was a one hit wonder.
Since then I have had had success with short stories (two published and one due to be, though the deadline for that contract expires in January so I may have to place it elsewhere) and I was verging on the decision of abandoning any plans at novel writing and focus instead on short stories and novellas. But then this year I decided to have one more try, It’s my 50th, so how best to celebrate. I planned, I plotted and I set it all out beforehand. This time I was ready.
I planned to move away from my usual stomping ground – fantasy, horror, sci-fi – and this time I trod a favoured path of mine outside of my genre staple. Being a son of a Policeman I’ve always enjoyed procedurals, I grew up watching Colombo, Ironside, The Rockford Files et al. These days I still have an interest, Poirot, NCIS, Law & Order, Ripper Street. All of these show I feel have given me insights and foreknowledge of how the procedural works. To this end my novel is set in the word of a murder investigation that leads the team into the murky world of politics and religion.
A tad over 80,000 words in 30 days, quite proud at that total, a major victory and one that has bolstered my ego no ends. Its still as much a mess as my first novel, but I feel it a redeemable mess. I’ve not looked at it since completion, I have no intention of looking at it for at least six months. I want to give it time to ferment, gain body, grow some.
So there you have it, I has a novel, well will do once I’m done with it.